The Art of Computation: An Interview with Philipp Schmitt
"Computers can learn from examples how to recognize something. [...]This is one way that you can form the concept of an apple, although it has nothing to do with an apple. An algorithm will never bite an apple, or taste one, or pick one from a tree."—Philipp Schmitt, in our interview about his new book Computed Curation.
Artists as Adventurers: An Interview with Ruben Jacobs
"I saw, in all these different practices, some kind of artistic creature who uses science but also design and technology to re-investigate the relationship with the Earth."—Ruben Jacobs, in our interview about his new book Artonauts.
The Intensity of Exposure Featuring the photography of Øistein Sæthren Dahle
The thing about being born a human is that none of us get out alive. Some of us spend our…
Let Me Fall Again A review of Julia Borissova's photobook Let Me Fall Again
In her most recent photobook, Let Me Fall Again, photographer and bookmaker Julia Borissova presents a part-factual, part-imagined construction of the life of Charles Leroux, a professional jumper.
No News Is Good News
“Do you want to go to World Press Photo and feel bad about everything?” This year's World Press Photo exhibit, on display in Amsterdam until July 22, is no exception to the rule that no news is good news.
More, More, More But Never Enough: An Interview with Antoine d’Agata
"This is the tragedy of wanting to make art out of your own life, or wanting to make your own life out of your art – there is no way out."—Antoine d'Agata, in our interview about his life and photography.
White: A Color So Universal it Became Ignorable
The white of a canvas invites color, to the extent that white doesn’t appear so much as a color as it does a sign of incompleteness. It serves so well as a starting point that it’s hard to remember that white is even a color. Yet, it is a color. Many, in fact.