"There are definitely days when I don’t have the energy, and today is a day I’m struggling. [...] It really is fighting every day and the project gives me something to fight for in a productive way that’s bigger than myself, which seems to be good for me."—Tara Wray, in our interview about the Too Tired Project.
In Becoming Creative, Juniper Hill speaks to musicians in Los Angeles, Cape Town and Helsinki about their personal histories, experiences, and viewpoints to trace patterns of creation.
In Team Human, Douglas Rushkoff unleashes a manifesto equal parts fiery criticism and humanist faith to remake society before our systems remake—or break—us.
The female nude: a genre of photography that is heavily tried and ambiguously true. Women photographers have tried to reclaim authorship of the female experience through their work, but is it possible to be naked without being nude?
"When you give yourself over to the inactive state, you’re also giving yourself over to an internal roaming. Without that, there really isn’t a capacity for surprise, for discovery, for actually learning something new about yourself or the world."—Josh Cohen, in our interview about his new book Not Working.
In the photobook Somnyama Ngonyama, South African visual activist Zanele Muholi creates an identity, performs an identity, dismantles an identity, confronts with identity.
Creativity is often so focused on the finished object—the creation—that we fail to attend to what comes afterward. Yet, what comes next is also part of the process: it is how we react to and recover from what we have created.
A new year gives the perfect opportunity to reflect on the way your life and work are unfolding. Start your year off right with a creative retrospective.
I'm happy to announce my new book: Unique: Making Photographs in the Age of Ubiquity.
"Computers can learn from examples how to recognize something. [...]This is one way that you can form the concept of an apple, although it has nothing to do with an apple. An algorithm will never bite an apple, or taste one, or pick one from a tree."—Philipp Schmitt, in our interview about his new book Computed Curation.