I'm happy to announce my new book: Unique: Making Photographs in the Age of Ubiquity.
Ancient maps marked the accomplishments of discoverers, documenting the world as known thus far, the boundaries of which were marked by monsters: “Here be dragons.” Modes of discovery have changed—we may now brag about being the first to hear of a new band, or the first to develop some kind...
The thing about being born a human is that none of us get out alive. Some of us spend our whole lives ignoring that fact, taking time like it’s on infinite tap, while others act according to their fear of death, as though certain cautious steps and right decisions could...
Join me for a photo workshop in France and soak in the pleasures of photography, food and wine.
In her most recent photobook, Let Me Fall Again, photographer and bookmaker Julia Borissova presents a part-factual, part-imagined construction of the life of Charles Leroux, a professional jumper.
“Do you want to go to World Press Photo and feel bad about everything?” This year's World Press Photo exhibit, on display in Amsterdam until July 22, is no exception to the rule that no news is good news.
"My project is like visual research into women on the shelf, arranged marriage, and the irrelationship—the forced intimacy—of it all. I want viewers to experience those forced relationships."—Yingguang Guo, in our interview about her photo series The Bliss of Conformity.
"This group of women have all lived as men... Everything is in the wrong place, and everything is in the wrong size and shape, and it sucks to try to be a woman when you’ve had like 60 years of testosterone going through your veins."—Jessica Dimmock, in our interview about her documentary The Convention.
"Because it was about a state of mind, I knew that it was something that was going to have me throwing myself against the limits of representation. Translating emotionality and personal experiences into a picture is always going to be hard. "—Katrin Koenning, in our interview about her photography.
"This is the tragedy of wanting to make art out of your own life, or wanting to make your own life out of your art – there is no way out."—Antoine d'Agata, in our interview about his life and photography.