Stephen Shore's new book Modern Instances: The Craft of Photography is an impressionistic memoir of anecdotes, reflections and influences by the iconic photographer and photographic educator.
"I have to be creative on demand, because if I mess up an assignment then I'm probably not going to get a callback. That editor, or that publication, is not going to hire me again. And that is a very stark reality of photography, right? You have to be at your optimal all the time."—Dina Litovsky, on being creative on demand.
"What gives me the right to be able to do this? And, what gives me the right to be able to go about it in the way that I expect to go about it?"—Anthony Luvera, in our interview about about collaborative process and his co-created book, Frequently Asked Questions.
"State-created realities are designed to perpetuate power by those who hold it, no matter who is in office."—Debi Cornwall, in our interview about her forthcoming photobook, Necessary Fictions.
In the new photobook Immortal: Lost Memoirs of Cornelia Dulac Concerning the Freshwater Polyp Hydra, authors Maija Tammi and Ville Tietäväinen give us a fictionalized account of true scientific studies of Hydra—a biological immortal.
"You have to be able to live with the work. Some images, if they reveal too much, you just don’t fancy living with them."—Alicja Dobrucka, in our interview about her photobook, I like you, I like you a lot.
"There are definitely days when I don’t have the energy, and today is a day I’m struggling. [...] It really is fighting every day and the project gives me something to fight for in a productive way that’s bigger than myself, which seems to be good for me."—Tara Wray, in our interview about the Too Tired Project.
The female nude: a genre of photography that is heavily tried and ambiguously true. Women photographers have tried to reclaim authorship of the female experience through their work, but is it possible to be naked without being nude?
In the photobook Somnyama Ngonyama, South African visual activist Zanele Muholi creates an identity, performs an identity, dismantles an identity, confronts with identity.
I'm happy to announce my new book: Unique: Making Photographs in the Age of Ubiquity.